Monday, August 31, 2020


Sad news to start off the week. Popular New Orleans personality, Morgus the Magnificent has passed away at the age of 91. He was one of the many in a long line of TV Horror Hosts that have entertained monster fans since the days of Roland/Zacherly. Following is a lengthy obit from the 4WWL website.

Morgus the Magnificent creator and star Sidney Noel Rideau dies at 90
As Dr. Momus Alexander Morgus, Sid Noel became a New Orleans icon. He died Thursday at 90 of natural causes, his daughter said.
By Dominic Massa | August 27, 2020 | WWL-TV

NEW ORLEANS — Sidney Noel Rideau, who created and starred as the mad scientist Morgus the Magnificent for more than 60 years, becoming a New Orleans icon, has died of natural causes, according to his daughter Natalie Rideau. He was 90.

Rideau, who went by the stage name Sid Noel, created the mad scientist, Dr. Momus Alexander Morgus, in 1959 on WWL-TV Channel 4 and went on to become a local institution. He would present his televised science experiments in between segments of horror movies. The show would be revived in later years on WDSU, WGNO and in national syndication. It also later aired in reruns on WVUE and Cox Cable.

Just last year, Rideau attracted a sold-out crowd to the Orpheum Theatre for a one-man show recounting his career as Morgus and in local broadcasting.

'Don Quixote in a lab jacket'
Rideau first brought his talents to WWL-TV as Morgus on a program called "The House of Shock." It premiered Jan. 3, 1959, with "Frankenstein" as the movie. 

The setting was Dr. Morgus' "lab" above the "old city icehouse," where he updated viewers on his scientfic exploits, in between segments of horror movies. With the help of his loyal, hulking and silent assistant Chopsley (originally played by the late Tommy George) and Eric, the talking skull who served as his foil, Morgus became an instant hit, though his experiments never went quite like he intended.

“One of my favorite characters in literature was Don Quixote, and I decided to create a character that would represent the great quest of doing right in the world and of course the great failures that we all face,” Rideau said in a 1995 interview. “So Morgus became Don Quixote in a lab jacket and Chopsley was Sancho Panza.”

"His main philosophy would be that in every adversity, which he faces weekly - he says in every adversity, you must look for a key to a greater triumph, and that's why he came back every week and did it again and again. He's still looking for that greater triumph," he said.

Dr. Morgus - through his Momus Alexander Morgus Institute and University of Morgus - claimed to have at various times invented the internet, come up with cures for countless medical maladies, pioneered surgical techniques and even calculated the speed of dark. He claimed several of his ideas were pilfered by the Pentagon or other authorities, but were detailed in several books, including "New Hope for the Dead."

"Morgus had crazed eyes, an insufferable ego and a sinister laugh," wrote Angus Lind in a 1981 Times-Picayune article. "He toiiled in his Rube Goldberg laboratory over an ice house in the French Quarter, predicting great success for his experiments while he shuffled electrodes and test tubes. His forte was incompetence."

In creating his character and his TV shows, Rideau was known by colleagues as a perfectionist with a clear vision for the show, though many of his early programs were largely ad-libbed.

There was even a backstory to his name, as Rideau explained to Angus Lind in 1981. Momus was for the god of ridicule; Alexander, the biggest egomaniac in history; and Morgus, a blend of morgue and disgusting.

"Can you imagine somebody giving you a stage to create a character?" Rideau said. "I wanted to sculpture him just like an artist would. It was a real chance to impart some social thought."

Morgus and his sidekick, Chopsley.

'He blew my cover'
Intensely private, Rideau, rarely did interviews as himself or made public appearances. He even preferred that his real name not be used in newspaper stories about the show.

“I never tried to get out in public as myself. I turned down doing commercials and appearances and just didn't want to be recognized,” he said in 1995, recounting how legendary WWL-TV sports anchor Hap Glaudi revealed his secret one night on air at Channel 4.

“I did a commercial as another character and Hap says, ‘You know who that is?’ And of course he blew my cover.  He said, ‘That's Sid Noel, he's Morgus,’ and from that day on, my life changed.”

His daughter Natalie said Thursday that, as children, she and her brother had no idea of their father's alter ego. One day her brother spotted a photo of Morgus and asked their parents about it. 

"Then it became a family secret, which was part of the fun," Natalie Rideau said.

She added that while her father was so much more than Morgus, he loved creating the character and becoming a part of local history.

"He was such a kind, wise, gentle man with a vivid imagination and a gift for storytelling."

'The Wacky World of Doctor Morgus'  
In the early ‘60s, Morgus hosted a daily, five-minute weather show, appearing each weekday with his usual scientific and comedic antics and a brief weather forecast. Titled “The Morgus Board” or “Morgus and the Weather,” the show is fondly remembered for Morgus checking his weather “vein” and wringing out a “humidity rag” to give the current weather conditions.

“The old saying no one ever does anything about the weather is no longer true. Morgus is doing something about it!” the station proclaimed in a 1965 advertisement. “For the wackiest, funniest and all-around strangest weather program on television, make this one a regular habit.”

In 1962, Morgus starred in a full-length feature film, “The Wacky World of Doctor Morgus.” It didn't win any Academy Awards, but it was pure Morgus and fans loved it.

A conflict with WWL management over a scheduled appearance at Pontchartrain Beach to promote the movie ended Morgus’ first run at Channel 4. He left for Detroit, where Morgus did a weather show that was syndicated in several other markets.

'Coming back home'
When he returned to New Orleans, his WWL weather show was revived for a few years before he moved to WDSU in 1970. His Saturday afternoon program there only lasted a year, with Morgus, Chopsley and Eric appearing between “Star Trek” and horror movie segments.

Rideau took a hiatus as Morgus throughout the 1970s and 80s but in 1987, a group of fans calling themselves M.O.R.G.U.S, the Morgusian Order to Revere a Glorious Understanding of Science, helped spark new interest in the "good doctor," and helped bring him back in a new series on WGNO-TV. It also went into national syndication, airing on stations across the country.

“Going back on that set was like a time warp,” Noel told The Times-Picayune before the show premiered in 1987. “I have very mixed emotions about bringing him back. To put something like this together takes more than just turning on the cameras. And very few people have been able to go off and come back successfully.”

The show looked and felt much the same as fans remembered it, although the New Orleans references common in the 1960s and ‘70s programs – chiding local politicians or sending Chopsley to Puglia’s grocery on North Rampart Street near WWL’s studios – were no longer fitting for a national audience. “This has got to play in Peoria, remember. We’re going for a broader appeal,” Noel said.

The revived show aired on stations in New York, Atlanta, Little Rock and Wichita.

Morgus in the 1960's.

Broadcast beginnings: DJ Sid Noel
Rideau began his broadcasting career in radio, first spinning records on WTIX-AM and making appearances as a disc jockey at local dances and parties. His birthday, December 25, 1929, inspired the perfect stage name: Sid Noel.

Before long, Noel joined the staff of WSMB-AM, becoming one of that station’s major on-air stars. He left after a few years to tour the country with vaudeville comedians Olsen and Johnson in their comedy revue, “Hellzapoppin’.”

Noel returned to New Orleans in 1957 for a job at WWL Radio. The station hired him for a morning slot, although he had the unenviable job of replacing the legendary “Dawnbusters” show. The program had been phased out after more than 20 years as one of the city’s most popular shows.

A graduate of Alcee Fortier High School, Rideau attended Loyola University and served eight years in the U.S. Navy Reserve during the Korean War.

In 1995, Noel was inducted into the New Orleans Broadcasting Hall of Fame by the Greater New Orleans Broadcasters Association.

"Uncle Noel" for the children
Throughout the years, Rideau generously used the popularity of the Morgus character to raise funds for local charities and civic causes including Audubon Zoo and WYES-TV, among others.

Ever the storyteller, even when not in costume as Morgus in recent years, Rideau prided himself on using fables to teach life-lessons to children. He patented and manufactured "Uncle Noel's Fun Fables" and a "fable-telling” attraction called The Story Castle. From telephones attached, children listened to The Castle’s audio stories that spread joy and bits of moral education in shopping malls throughout the United States and in Canada.

For the "Fun Fables" he authored and published a K-5 reading program which got parents involved in reading with their children. Rideau also made school visits with his live presentation "Storytelling for Character." He also developed a K-12 “ethics for kids” reading program on the internet as a free supplementary resource for schools. The 52 original stories titled “Fables to Grow On” were incorporated into what became the Internet Story Club of America, Inc. Co-founded and hosted by The New Orleans Public Library, it became an independent, 501c(3) non-profit charity.

His wife of 52 years, Donia, died in 2015. In addition to his daughter, he is survived by a son, Robin Rideau.

The family says private memorial services will  be held.

In lieu of flowers, donations are suggested to The Northshore Humane Society, 20384 Harrison Avenue, Covington, LA 70433, or the The Humane Society of Louisiana, P. O. Box 740321, New Orleans, LA 70174,

Morgus was also a frequent guest on Coast to Coast AM radio. Here is their tribute:

RIP Dr. Morgus
By Tim Binnall | August 27, 2020 |

Coast to Coast AM is deeply saddened to share the news that longtime friend of the program Dr. Morgus also known as Morgus the Magnificent has passed away at the age of 90. The creation of actor Sid Noel, the mad scientist character was a television fixture in New Orleans where, beginning in 1959, he hosted a late-night program presenting horror films. It was during those shows that Dr. Morgus shared his love of science with the viewers at home by conducting experiments from his 'laboratory' during segments between the movies. In 1964, the Dr. Morgus show moved to Detroit television, where it captured the imagination of a young George Noory, who years later interviewed his childhood idol on Coast to Coast AM on several occasions.

Beginning in 2004, Dr. Morgus made a number of appearances on C2C, recounting how being a scientist was a family tradition which stretched back to 4,380 years to Morgus the First, master architect of the great pyramid, and detailing how he was the true inventor of the cell phone and the internet. Perhaps his most memorable appearance on Coast occurred back in 2005 when Dr. Morgus surprised George by 'teleporting' into his LA studio while the two were on the phone. Reflecting on Dr. Morgus' passing, George Noory commented, "I was so fortunate to get to know him and have him on as a guest on Coast to Coast. He was a wonderful, talented, and witty guy."

Dr. Morgus continued making television and live appearances in recent years, including a one-man show in 2019 where he reflected on his prodigious career. He was also beloved in the New Orleans area for his charity work, often appearing in full mad scientist regalia at events to help raise awareness for various causes. In addition to all that, Dr. Morgus penned a children's book titled Fables to Grow On and helped develop a reading program for New Orleans schools and was inducted into the New Orleans Broadcasting Hall of Fame.

Morgus the Magnificent giving the "Sign of the Higher Order".

Sunday, August 30, 2020


A rare lobby card depicting the "Hell" sequence from DANTE'S INFERNO (Fox, 1935), The 10-minute vignette was designed by director Harry Lachman, an established post-impressionist painter.


Saturday, August 29, 2020


I am positive that certain groups operating today would have the Boris Karloff Mr. Wong series banned from the eyes of humankind. But, during the time of vintage Hollywood (and even later) many "oriental" characters were played by white actors. Warner Oland (Swedish-American) as Charlie Chan immediately comes to mind. Paul Muni (an Austro-Humgarian Jew) and Luise Rainer (a German Jew) in THE GOOD EARTH are two others. Asian actors such as Keye Luke, were generally relegated to subordinate roles.

Mr. Wong was the creation of Hugh Wiley, who wrote his adventures as short stories for COLLIER'S. Many of them were collected in the book, MURDER BY THE DOZEN in 1951. Along the way, Karloff was contracted by Monogram Pictures to star in a series about the Chinese-American sleuth. In the sixth film, Keye Luke was handed the lead roll and it would be the first time in an American sound film that an Asian would play an Asian Detective. Luke signed on for four more Mr. Wong movies, but after Karloff had left, the bloom was off the rose, and Luke's contract was cancelled signalling the end of the Wong series.

Following are two pages from FILM BULLETIN (March 25, 1939) depicting Karloff in THE MYSTERY OF MR. WONG, the second in his five films as the detective.

In 1939, MR. WONG, DETECTIVE and THE MYSTERY OF MR. WONG  were adapted in six parts (one issue was a preview of the second story) in the Dell comic book, POPULAR COMICS. The series ran in issues #40 through #46. It was written by an unknown scripter, but the artist is credited as Jim Gary.








Friday, August 28, 2020


"I believe it is most important for the director to learn cinematography, for most cinematographers are men of many years' experience, and have worked with so many directors that they can hardly help knowing the basic principals of direction"
-Rouben Mamoulian

Premiering on 31 December 1931 with a nationwide release 2 January 1932, Paramount's DR. JEKYLL AND MR. HYDE garnered favorable reviews, largely on the skills of director Rouben Mamoulian, cinematographer Karl Struss, and lead actor Fredric March's Hyde makeup by Wally Westmore. It didn't hurt that the pre-code subject matter had a significant sexual subtext as well, bolstered by the presence of Miriam Hopkins as local tavern floozy, Ivy Pierson.

While not quite as shocking as Universal's FRANKENSTEIN (released just the previous month), the film still packs a visceral punch, especially with March's transformation into Mr. Hyde and his subsequent violent behavior (on a side note, Wally Westmore's makeup lost out to Jack Pierce's work on THE MUMMY for the 1932 Hollywood Filmograph Makeup Trophy -- Westmore would go on to an illustrious career and this would be Pierce's only formal recognition for his makeup work during his lifetime).

Rouben Mamoulian (October 8, 1897 – December 4, 1987) was the man in the director's chair for DR. JEKYLL AND MR. HYDE, but in this interview in AMERICAN CINEMATOGRAPHER (February 1932), he sat down with A.S.C. member William Stull and explained that he owed just as much to his camera man, Karl Struss for the film's success. Free of any overt egotism, Mamoulian politely discussed how the two worked together to produce what would become one of the classic horror films of the 1930's.

An added bonus are the production stills from DR. JEKYLL AND MR. HYDE that accompany the article. Also note the ad for Max Factor. His makeup was used exclusively by Westmore during the making of the film.