Friday, February 20, 2026

FIRE ON THE SET!


Seldom mentioned in accounts of horror movie history is this obscure story described in the news item below from the October 25, 1930 issue of the motion picture trade paper, EXHIBITORS HERALD-WORLD.

Sometime during the early morning hours of Thursday, October 23, a "fire of unknown origin" (likely an electrical fire) broke out on the set of the Spanish-language version of DRACULA, destroying the Transylvanian inn that was to be used for the opening scene of the film. The set was located on Universal's Sound Stage 12 and had already been used for the English-speaking version.



EXTRA!
Just over a month later, the November 29 issue of EXHIBITORS HERALD-WORLD published a photo of Lugosi who was starring in the English version of DRACULA. Also included was a piece marveling at the set work for the film as it was being used on U's Stage 12. The writer of the article was thoughtful enough to credit the talented art director responsible for the impressive sets, Charles D. "Danny Hall".


Thursday, February 19, 2026

WRITERS OF THE WEIRD: H.R. WAKEFIELD


Called by August Derleth "the last major representative of a ghost story tradition that began with Sheridan Le Fanu and reached its peak with Montague Rhodes James", Herbert Russell Wakefield (May, 9 1888 – August 2, 1964) was one of the great masters of the classic ghost story.


As a young man, Wakefield received his education at Marlborough College and University College, Oxford. As a member of the Royal Scots Fusiliers, he fought in both France and the Balkans during the First World War.

Several years after the war he was the chief editor at William Collins, Sons and Co. where he used his experiences in the publishing milieu for the some of the weird fiction he became fascinated with.

Influenced primarily by M.R. James and Algernon Blackwood, Wakefield believed in ghosts and unexplained phenomena and used true events as the inspiration for a number of his stories. In his introduction below to the Bantam paperback, "Stories from the Clock Strikes 12", he wrote: "I am convinced that there are perfectly authenticated cases of the most versatile psychic phenomena, for the very good reason that I have experienced them myself."

Wakefield did not limit himself solely to writing ghost stories; he also had an interest in criminology and wrote two non-fiction books and three novels on the subject.

In 1946, August Derleth published a collection of Wakefield's ghost stories under the Arkham House imprint. It is reported that not long before his death, Wakefield's wife posted a letter to Derleth explaining that her husband had destroyed all his correspondence, manuscripts and photos of himself.

It is interesting to note that decades later, in 1978, John Murray published "The Best Ghost Stories of H. Russell Wakefield", edited by Richard Dalby, which included some previously uncollected tales. In addition, Ash Tree Press published a book in 2000 titled, "Reunion at Dawn and Other Uncollected Ghost Stories", also containing a number of Wakefield's previously unpublished stories.

H.R. Wakefield's short story collections:
  • They Return at Evening (1928)
  • Old Man's Beard: Fifteen Disturbing Tales (1929)
  • Imagine a Man in a Box (1931)
  • Ghost Stories (1932)
  • A Ghostly Company (1935)
  • The Clock Strikes Twelve: Tales of the Supernatural (1940)
  • Strayers from Sheol (1961)
Selections from "The Clock Strikes 12 (Arkham House). Cover by Richard Powers.

"Why I Write Ghost Stories" (1946):





"Used Car", first published in "Ghost Stories" (1932):













Wednesday, February 18, 2026

CLASSIC MONSTERS BY MODERN ARTISTS


Newly published by Insight Editions, Anthony Taylor's book, CLASSIC MONSTERS, MODERN ART is a look at 20th century horror by 21st century illustrators.

Available for purchase HERE.

Preface by David Dastmalchian. By Anthony Taylor. Art by Doug P’Gosh, Bob Eggleton, Mitch O’Connell, Gregory Manchess, Mike Hoffman et al. From Frankenstein’s monster to Count Dracula, Elvira to Godzilla, King Kong to Freddy Kruger, this is the definitive visual compendium of the greatest movie monsters, featuring exclusive artwork from more than 65 artists accompanied by a richly detailed chronicle from genre expert Anthony Taylor, who brings together the canonical and the contemporary, creating a riveting journey through the history of film’s most iconic monsters by way of modern art.






From the publisher:

What we now know as horror was born on a rainy night in 1816, when a candle-lit writing contest between famous friends spawned Frankenstein... and eventually grew into an international genre and film sensation! Classic Monsters, Modern Art documents and reimagines the trajectory of Gothic horror––from film’s silent era all the way to the turn of the millennium.

Featuring exclusive artwork from more than 45 artists and a richly detailed chronicle from genre expert Anthony Taylor, this incredible volume brings together the canonical and the contemporary to create a truly original, timeless experience: a riveting journey through the history of film’s most iconic monsters by way of modern art.

ICONIC MONSTERS: From Frankenstein’s monster to Count Dracula, Elvira to Godzilla, King Kong to Freddy Kruger, this is the definitive visual compendium of the greatest movie monsters.

45+ ARTISTS: This book breathes new life into beloved classics, featuring exclusive artwork from more than 45 contemporary illustrators, cartoonists, and painters.

TIMELESS QUALITY: This hardcover volume provides a deluxe experience, with full-color artwork of the highest caliber and a design firmly entrenched in the genre that inspired it. A gorgeous coffee-table book that will stand the test of time.

Format: Hardcover
Publication Date: 2/10/2026
ISBN: 9798886637366
Pages: 184
Trim Size: 9.25 x 11
Retail price: $39.99

About the author:
Anthony Taylor, Author: Anthony Taylor is a writer and the organizer of Monsterama, an Atlanta retro horror and science fiction convention. His articles have appeared in Famous Monsters of Filmland, Fangoria, Screem, Horror Hound, Retro Fan, SFX, Video WatcH*Dog, FilmFax and many other magazines. His books include The Future Was FAB: The Art of Mike Trim, Arctic Adventure! An Official Thunderbirds™ novel, and The Art of George Wilson. In June 2024, he was inducted into the Rondo Hattan Classic Horror Awards Monster Kid Hall of Fame.