Showing posts with label POP CULTURE. Show all posts
Showing posts with label POP CULTURE. Show all posts

Saturday, October 17, 2026

THE MERSEY MONSTERS: ARE THEY HUMAN?


Between the years 1962 and 1965, the Monster Craze was a Big Deal, attaching itself to the very fabric of American popular culture like a pair of hungry fangs. It just so happened that another big deal was raging across the planet, an English band of mop heads called The Beatles. The heady mix of pop and rock 'n roll was a potent combination that had been brewing since the late 1950s when folk music and beatnik bongos just didn't seem to do it for more adventuresome listeners. They wanted something to move to and The Beatles gave it to them, especially the tens of thousands of teen-age girls (and younger) who swarmed to their shows and screamed themselves into a stupor.

In England, a musical movement known as the Mersey Beat sprang up around Liverpool near the Mersey River. The genre mixed elements of rock n' roll, rhythm and blues and skiffle (a cross section of American blues, jazz, folk and jug-band music originating in the Deep South). It was here that the two pop culture phenomena, monsters and music collided.

One of the results was the formation of an English band who called themselves The Mersey Monsters. A precursor to later monster costume bands like The Misfits and Kiss, the quartet apparently was kept quite busy with gigs, mostly at the famed Cavern Club in Liverpool opening for nascent rock stars like The Rolling Stones and yes, The Beatles. They were managed by a bloke by the name of Tony Rueben of Pop Inn Enterprises. Precious little remains of their recorded music today, but two rare examples can be heard below. The following article provides a little more information about them.

What inspired this post was remembering a photo I'd seen of the group in LIFE magazine during their active period. If I'm not mistaken, it's the color shot seen at the top.

And let's not forget the stateside sensation of Bobby "Boris" Pickett and The Crypt Kickers from the same period with their hit, "Monster Mash". The "group" never performed together as the music was played by studio session musicians, one of which was Leon Russell who played on the B-side of the "Monster Mash" 45rpm single!


Shock, horror, and The Beatles: The story of The Mersey Monsters
By Ben Forrest | October 31, 2025 | faroutmagazine.co.uk

Horror has always been in vogue, from the gothic fiction of the Victorian age to the slasher flicks of the 1980s, and the music industry hasn’t always been immune to the influences of ghouls, ghosts, and Halloween spirits, either.

Back in the 1960s, for instance, The Mersey Monsters offered a blood-splattered, spine-chilling alternative to the fresh-faced Merseybeat sounds of The Beatles. 


Of all the many things that The Beatles have to answer for within the pages of musical history, the emergence of Merseybeat is probably one of the most important. Liverpool was always integral to the sound of the Fab Four, and performing at now-legendary venues like the Cavern Club was essential in carving out their sound during those early years.


However, the unparalleled success witnessed by those ‘Mop Tops’ quickly led countless other Liverpudlian lads to start bands, and within that increasingly saturated scene, it would take something pretty special to stand out. Enter The Mersey Monsters. 

The Mersey Monsters business card.

Equipped with copious amounts of face paint and, most probably, an unhealthy obsession with Hammer horror films, The Mersey Monsters emerged from the crypt (Bootle) in around 1963, rebranding from their original name, JJ And The Hi-Lites.


Although little recorded material from the short-lived outfit was ever released, the band adopted the same kind of blues-led rock and roll that had made so many of their Merseyside contemporaries a household name. The key difference, however, was that they presented themselves as creatures of the night.


In one of the only surviving films featuring the group, they can be seen performing a dark cover of Bobby Parker’s earworm track ‘Watch Your Step’ in a corner of St James’ Cemetery, with frontman Alan Grundy carrying a pitchfork and wearing a top hat while his backing band are bedecked in black shawls with Arthur Brown-esque facepaint.


In terms of production value, it is about as good as you can expect for a short-lived, no-budget, mid-1960s garage band, and there doesn’t appear to be much of a narrative behind the band other than unspecified spookiness.


Still, The Mersey Monsters were pioneers in their field, becoming one of the first true shock-rock outfits to grace British soil, coinciding with the rise of Screaming Lord Sutch at around the same time. Clearly, the group took a core part of their influence from the similarly spooky output of Screamin’ Jay Hawkins the decade prior, but listening to a track like ‘Watch Your Step’, the band seem to have predicted the later rise of shock rock psychedelia and even the horror-punk stylings of groups like Misfits, too.


Despite what the band’s B-movie-esque costumes and questionable face paint would have you believe, though, The Mersey Monsters made quite a name for themselves in their native Liverpool. On the orders of their manager, Tony Reuben, the ghoulish garage rockers performed tirelessly over the course of two years, sharing bills with The Beatles and The Rolling Stones, among others, and putting on some of the most unique – and presumably bizarre – shows ever seen at the Cavern Club, before ultimately disbanding in 1965.


Today, The Mersey Monsters aren’t often afforded the same notoriety as their Merseyside contemporaries, or even their shock rock comrades like Lord Sutch, and it is easy to see why – namely, a lack of existing material. Still, the band remain one of the intriguing footnotes in the history of Merseybeat, and their haunting version of ‘Watch Your Step’ is well worth revisiting, particularly if you’re in the midst of creating a Halloween playlist.


Saturday, August 29, 2026

WHAT'S THE COST OF A LITTLE FUN?


This installment features a bevy of burlesque/stripper films from back in the day when Tempest Storm, Lili St. Cyr and Betty Page (as she's listed on the poster) were in their glory years. Man, they don't make 'em like that anymore!

A couple other things I'll point out in this bunch along with the usual X-rated fare you've come to expect from this feature:
  • DIARY OF A SINNER's soundtrack is by Bo Diddley.
  • DEVIL IN THE FLESH is promoted as an "educational" film about the perils of venereal disease.
  • Don't miss hidden in the mix with the other Merry Maids of the Gayway, Zaboudah, The Terrific Turkish Torso Twister!
  • The magnificent Virginia Bell gets top billing in SCANTY PANTIES. 
  • MONDO TOPLESS was a Russ Meyer film with his wife, Eve Meyer as associate producer. It starred Babette Bardot (!), Pat Barringer (aka Pat "Orgy of the Dead" Barrington) and the fabulous Lorna Maitland, who starred in her own film, went off the rails bonkers in the 90s and disappeared without a trace.
And, by the way, a friendly heads up: don't look for any fashion advice if you watch BUNNY YEAGER'S NUDE CAMERA.






























Friday, July 24, 2026

A SHORT HISTORY OF MONSTER MAGAZINES


"I say to hell with the critics and good taste, let's bathe in the flea-ridden, the cheap and the scummy."
- UNGAWA! editorial

UNGAWA! To readers who are familiar with the exotic-sounding word, they'll recognize it as a command barked out in the Johnny Weissmuller Tarzan films. What may come as a surprise is it did not originate in any of Edgar Rice Burroughs' Tarzan novels. Instead, the word was made up by screenwriter Cyril Hume for the first of MGM's Tarzan movies, TARZAN THE APE MAN (1932). Known alternately as "umgawa", according to the ERB FANZINE, It has come to be translated variously into "up", "down", "halt" or "go". There is also some semblance to similar words in Swahili.

Editors Foss Hagman and Cathal Tohill used the unusual word for the title of their four-issue run of a nicely-produced UK fanzine on the topics of cinema and music. They welcomed readers to "the whacked out world of Ungawa!, a world where the exotic is the norm". They went on to write in their editorial, "Notes From the Bunker", from the first issue in 1989, "We are not ashamed to delve into the historical roots of the sleazy, the slimy and the maligned."

Boy, they weren't kidding, either! Shown here today is issue #2, published in 1990 and it's a putrescent panoply of pulchritude from the dregs of pop culture. My main reason for sharing this is because of the nifty little article entitled, "A Short History of Monster Magazines" by Mike Wathen, who does an admirable job of encapsulation the topic in just a few short pages.

Also, don't miss articles "Ed or Edna: The Strange Case of Ed Gein", "The Queen of Curves: Bettie Page", "Murder Can Be Fun With Fredric Brown" (a prolific short story and novel writer) and "An Introduction to Spanish Horror". Includes book reviews of "The Selected Correspondence of James Wayne Gacey", "Satan Wants You" by Arthur Lyons and James Ellroy's "The Black Dahlia". Film reviews include BLOODY PIT OF HORROR and HERCULES AGAINST THE MOON MEN. Much more awaits in this fun-filled romp through the garbage-infested alleys of pop culture.

NOTE: The "Voodoo Doll" advertisement seen in this issue has the address: "Castle Dracula, Topanga Canyon, California". This was the address for actor and special effects man, Paul Blaisdell. He and his partner, Bob Burns, published FANTASTIC MONSTERS OF THE FILMS in the 1960s. It's amazing that the postman knew where to deliver the mail!