Sunday, December 29, 2024

THE THING THAT COULDN'T DIE!


Squeezed between the invasion of science-fiction films that ruled the decade, THE THING THAT COULDN'T DIE (1958) is a horror film oddity. Universal International was about to release the US version of Hammer's HORROR OF DRACULA and they needed another horror film as second-billing. What they came up with paled in comparison. The tepid story is saved by the creepy, disembodied head of the executed Gideon Drew (Robin Hughes), who casts its hypnotic spell among the rest of the players to do its evil bidding.
  • Will Cowan produced and directed over 100 films during his long career, but this was his only horror picture.
  • Scriptwriter David Duncan wrote a number of horror, fantasy and science-fiction scripts including, RODAN (English version; 1956), THE BLACK SCORPION (1957), MONSTER ON THE CAMPUS (1958), FANTASTIC VOYAGE (1966) and three versions of THE TIME MACHINE (1960; 1993; 2002).
  • Edward Curtiss edited; besides working on a number of Howard Hawks' films, FRANKENSTEIN MEETS THE WOLFMAN (1943) and THE INNER SANCTUM thriller, PILLOW OF DEATH (1945), early in his career, he edited THE HUNCHBACK OF NOTRE DAME (1923) and THE PHANTOM OF THE OPERA (1925).
  • Bud Westmore is credited as the makeup artist, but as in THE CREATURE FROM THE BLACK LAGOON it is Jack Kevan's work that got suppressed as a result of the Westmore family's stranglehold on the Hollywood makeup industry; he designed and created Drew's head and it's likely that Westmore just copied that for the makeup on the live actor.
  • Actor Robin Hughes may look familiar; he played the Devil in the Charles Beaumont-scripted episode of THE TWILIGHT ZONE, "The Howling Man".


SYNOPSIS (from the Pressbook):

When Jessica Burns (Carolyn Kearney) tries to prove her powers of "second sight" to a group of skeptical friends, Gordon Hawthorne (William Reynolds), Hank Houston (Jeffrey Stone) and Linda Madison (Andra Martin), she discovers an ancient, 400-year-old chest hidden on her ranch.


Later that night, with the still unopened chest under the guard of the ranch handyman, Mike (Charles Horvath) and the foreman Boyd Abercrombie (James Anderson), its horrible contents are disclosed when Mike, thinking it may contain treasure, forces it open. He comes face to face with a hideous human head whose eyes open and overcome Mike with their hypnotic power, forcing him to kill Boyd. Mike escapes into the night cradling the horrible head in his arms.

While wandering alone the next morning, Jessica is overcome by a strange evil force, and, in her faint, sees an event from the past recreated. She sees an ancient jury sentence Gideon Drew (Robin Hughes) to death for practicing the powers of Satan, His head is cut off and placed in one casket, while his body is in another, his sentence of eternal damnation.


Shaken by her experience, Jessica returns home. One by one the head overpowers first Linda, and then Jessica herself. She is forced to use her "witching" powers to located the buried casket containing the head's body.

After finding the chest, it is opened in front of everyone in the living room.The incredible headless corpse rises and is joined with the evil head. Filled with lust, it is about to make a blood sacrifice of Jessica to its Satanic Gods when Gordon, who is in love with Jessica, throws off the hypnotic power by a supreme effort of will and fights for his life with Drew.

At the last moment of the struggle, Gordon flings Jessica's magic talisman at Drew and the group is released from the hypnotic spell as Drew's body crumbles into a pile of ashes and dust, finally at peace.

LOBBY CARDS









PRESSBOOK







Noted movie poster artist Reynold Brown used this picture of Robin Hughes as Gideon Drew as photo reference.



PHOTOS


James Anderson as Boyd Abercrombie.

Carolyn Kearney as Jessica Burns.

Andra Martin as Linda Madison.

Charles Horvath as Mike.

Jeffry Stone as Hank Huston.



SPOOK STORIES CARDS (1961). After getting many duplicates in my wax packs, I never knew what movie these were from until years later).




THEATRICAL TRAILER

Saturday, December 28, 2024

THE (1943) PHANTOM OF THE OPERA


Let me begin by saying that the 1943 version of Universal's THE PHANTOM OF THE OPERA is not one of my favorite horror films. My opinion is shared by any number of horror film critics as well, so I'm not standing on my own on a desert island.

One sheet poster - Style C.

Boasting "a cast of thousands", it premiered on August 12, 1943. First announced in November 1941, production didn't begin until January 21, 1942, Universal originally wanted to cast the popular Deanna Durbin in the role of Christine, but she declined. Director Henry Koster followed suit. Finally, U signed the 18 year-old Susanna Foster who would play opposite leading man Nelson Eddy.

Directed by the very competent Arthur Lubin, it is shot in technicolor and is visually sumptuous. As a result, if you're looking for a decent romantic musical this could be your cup of tea. As a horror film, it can be called barely that. Universal had planned to remake Lon Chaney's film as far back as the 1930's but the idea was shelved when the Laemmle's sold the company in 1936.

Fresh off filming Casablanca, Claude Rains (who was quite difficult on the set according to Lubin) is woefully miscast. U had been after Charles Laughton to play the role and when he backed out they even considered handing it to Broderick Crawford (!). The original Phantom's son, Lon Chaney Jr. was not in the running; the best he could do was visit the set while it was being filmed (see photos below).

One sheet poster - Style D.

Rains was billed third below Eddy and Foster and it only reinforces U's idea to sell it as a romantic musical rather than a horror picture.

The 1925 opera house set was appropriated and re-dressed to better exploit the Technicolor film stock. The original chandelier was also brought out of mothballs; it had been damaged in the first film, so fine Czech crystal was brought in to repair it. During the scene where Raines' Phantom cuts the chandelier so it will fall on top of the audience, the shot was cut away and the chandelier was placed on the floor with the crystals detached so that it appeared to have shattered.

Makeup man Jack Pierce had to resort to a minimal makeup job on Rains who, much like Henry Hull in his role as the Werewolf of London, felt he was too self-important to have his famous face made up into a monster.

Despite the disappointment of this remake not even coming close to Chaney's version, it did quite well at the box office, even garnering five Oscar nominations, winning Best Cinematography and Best Art Direction-Interior Decoration, Color.

LOBBY CARDS









PHOTOS











Fritz Leiber Sr. showing the famous chandelier.

Caricatures by popular Hollywood cartoonist, Kroll.



FAMOUS MONSTERS OF FILMLAND #10 (JANUARY 1961). REPRINTED IN #47 (NOVEMBER 1967):










TRAILER: