Saturday, December 27, 2025

THE MAKING OF BLADE RUNNER


Novelist, short story writer and essayist Philip K. Dick authored the book, "Do Androids Dream of Electric Sheep?" from which the movie BLADE RUNNER was based. First published in 1968 by Doubleday, it has made the rounds in many editions since. Admittedly, I haven't quite "grokked" the full philosophy that lies behind his work, but there's no denying that he is one of a handful of true visionary science fiction writers.
Philip Kindred Dick (December 16, 1928 – March 2, 1982).

As with any adaptation to film, the book does vary in a number ways. For instance, besides the title itself, the setting in the book is San Francisco and in the film it's moved to Los Angeles where the Tech Noir elements of the story are closer tied to Hollywood film noir.

Cover of the first Doubleday hardcover edition, 1968.

In a speech he gave in 1972 at the Vancouver Science Fiction Convention at the University of British Columbia, Dick said regarding his essay "The Android and the Human":
Machines are becoming more human, so to speak -- at least in the sense that . . . some meaningful comparison exists between human and mechanical behavior. But is it not ourselves that we know first and foremost? Rather than learning about ourselves by studying our constructs, perhaps we should make the attempt to comprehend what our constructs are up to by looking into what we ourselves are up to.
If you enjoyed yesterday's post, you should like this one even better, as a deeper dive is taken into the making of this remarkable film in CINEFANTASTIQUE (July/August 1982).




























Friday, December 26, 2025

SPOTLIGHT ON BLADE RUNNER


Let's get this out of the way: BLADE RUNNER is one helluva movie. Visually stunning, it is one of the best science fiction films ever made, and I believe my opinion is shared with a lot of other people.

The following article from the Canadian film magazine TRIBUTE (Summer 1982) offers capsule overviews of the cast, crew and special effects that went into the making of the movie.

One more thing: I defy you to find the acronym CGI for any of the visual effects used in the making of this modern classic. Douglas Trumbull and his crew instead relied on old-school, practical effects techniques such as miniatures, matte paintings and chromakey (green screen). Take that, Autodesk Maya!

NOTE: I've left in a few of the ads so you'd get a sense of the time period.