Gelman had a hand in many of the card ideas and his layouts were penciled by veteran comic artist Bob Powell while illustrator Norman Saunders painted most of them (Geoffrey Biggs and Maurice Blemenfeld were the others).
Len Brown recalled: "Woody Gelman's theory was that every card should look like either a pulp cover or a movie poster or a paperback jacket -- the viewer should have an 'Oh, my gosh!" reaction when they see it. He really wanted each card to tell a story."

















I was impressed with how many of these card images made their way into Tim Burton's movie. It's been long enough for a remake I think.
ReplyDeleteA rare case of a film faithful to a deck of trading cards as opposed to a novel.
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