Universal got a good amount of traction with their "old dark house" horror/mysteries over the course of a couple of decades. Beginning with THE CAT AND THE CANARY in 1927, they went on to the re-make, THE CAT CREEPS in 1930 (the title was used again for a 1946 mystery film which was a remake of 1941's HORROR ISLAND). And, of course, there was THE OLD DARK HOUSE in 1932.
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The Black Cat window card. |
Similarly, they adopted their "inspired by the story by Edgar Allan Poe" idea for the controversial Karloff/Lugosi vehicle THE BLACK CAT in 1934, now enjoying it's 90th anniversary this year. With a B-list budget of $176,000, they used the title again in 1941 for a horror/comedy, trotting out Basil Rathbone, Broderick "Brod" Crawford, Alan Ladd, Gale Sondergaard, Anne "House of Frankenstein" Gwynne and Bela Lugosi. Taking a cue from Paramount's own version of THE CAT AND THE CANARY (1939) starring Bob Hope, Paulette Goddard and Gale Sondergaard (!), U was aware of its modest success and decided to try it themselves.
The plot is a well-worn version of the "reading of the will" trope, complete with greedy heirs, red herrings and some lukewarm comedy to help it along. Bela Lugosi plays a small part as Eduardo Vidos, with no other apparent reason except to use him as a name-draw. Like many other lower-budget films of its type, it has its moments, especially with the camerawork by Stanley Cortez.
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The Black Cat one-sheet poster. |
Released on 2 May 1941, it was met with tepid reviews and became obvious by then that, after 14 years, U had tapped out the use of the plot device. It got another run in 1947 through Realart Pictures.
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From The Black Cat pressbook. |
Gail Sondergaard summed up the production succinctly by saying, "I hated doing the thing. It was beneath me".
Lobby Cards
Pressbook
Photos
What the critics said
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Film Bulletin - May 17, 1941. |
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Film Bulletin - May 3, 1941. |
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Motion Picture Daily - April 28, 1941. |